drawing, mixed-media, print
drawing
mixed-media
script typography
hand-lettering
hand drawn type
landscape
hand lettering
personal sketchbook
hand-drawn typeface
fading type
pen work
sketchbook drawing
sketchbook art
Copyright: Rijks Museum: Open Domain
Editor: This is "Briefkaart aan Philip Zilcken," a mixed-media postcard, potentially from 1925, by Alphonse Stengelin. It’s giving me major vintage vibes with that Swiss stamp and faded landscape illustration, not to mention the beautiful cursive. What draws your eye when you look at it? Curator: Oh, the nostalgia is potent, isn't it? I’m instantly transported! I find myself pondering the intimacy of the handwritten message amidst the formal structure of the printed postcard. There's this dance between public communication – the generic "Carte Postale" – and private sentiment, addressed to "Monsieur Th. Zilcken, homme de lettres peintre et graveur" – a man of letters, a painter, and an engraver! Do you think Stengelin was acknowledging a kindred spirit? Editor: Possibly! The listing of Zilcken's professions feels quite intentional. I hadn’t really considered that contrast between the formality and the personal message. Curator: Exactly! Imagine holding this tangible piece of connection, sent across distance. Consider, too, the little landscape scene. A compressed idyll, almost yearning in its quaintness. I wonder what stories Zilcken's work might tell, informed by such exchanges. What do you suppose this tells us about the nature of artistic correspondence then versus now? Editor: That’s a great question. I think the tangible nature of a postcard adds a weight that an email simply doesn't possess. It speaks to a different pace of life and communication. Curator: Precisely! A memento of a specific moment, hinting at relationships, travels, and shared artistic passions, wouldn’t you say? Editor: Definitely! I'm now seeing this as more than just a postcard, it’s a mini time capsule. Curator: Agreed. It’s a whispering gallery of histories.
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