Dimensions: support: 827 x 1155 mm frame: 1039 x 1361 x 106 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: James Collinson's "Home Again" portrays a dramatic homecoming, rich with narrative possibilities. Editor: The somber palette and dramatic lighting give it a very theatrical feel, wouldn't you say? Like a scene from a play unfolding before us. Curator: Absolutely. Collinson was associated with the Pre-Raphaelites, and his work engages with themes of morality, domesticity, and religious sentiment that resonated strongly within Victorian society. Editor: The composition is quite intriguing. The central figure's gesture directs our gaze, yet the surrounding faces offer a diverse range of reactions. Curator: This divergence reflects the complex social fabric of the era and the artist's attempt to capture the nuances of human relationships within a specific historical moment. Editor: Yes, and the strategic placement of light and shadow guide us through the narrative, creating a captivating, intimate viewing experience. It's almost like peering into a private world. Curator: I agree. Collinson offers a snapshot of the Victorian values placed upon the family and the emotional landscape of the time. Editor: A world carefully composed for our consideration.
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Home Again was painted in the final year of the Crimean War. The British Public had followed the two-year conflict between Britain and Russia in the popular press; with this painting Collinson satisfied the demand for staged homecomings.A weary soldier wearing the uniform of the Coldstream Guards is returning home to his rural cottage. When it was first exhibited a quotation beside the painting explained that the soldier had been discharged because of an accident leading to blindness. As a consequence, the family now faced a bleak future. Gallery label, July 2007