De dappre krijger, onder vaderlandsche vanen, / Weet zich het pad des roems op 't veld van eer te banen, / Maar zoo hij zegeviert en als verwinnaar keert, / Is 't vrede, en geen' krijg, dien 't heldenhart begeert by Mindermann & Co.

De dappre krijger, onder vaderlandsche vanen, / Weet zich het pad des roems op 't veld van eer te banen, / Maar zoo hij zegeviert en als verwinnaar keert, / Is 't vrede, en geen' krijg, dien 't heldenhart begeert 1822 - 1849

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print, engraving

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narrative-art

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print

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geometric

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history-painting

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engraving

Dimensions height 410 mm, width 330 mm

Curator: Oh, what a curious little thing! It feels like stepping back into a toy soldier’s dream. Editor: Indeed! Here we have an engraving titled "De dappre krijger, onder vaderlandsche vanen…", dating roughly from 1822 to 1849. The print, attributed to Mindermann & Co. of Amsterdam, resides now at the Rijksmuseum. Notice the grid of twelve miniature scenes. Curator: They are like snapshots of tiny dramas. Each little frame captures a different kind of soldier, a little world of bravado and bright uniforms. What's striking is how neatly compartmentalized it all is. The scenes, figures, and their stories, are so small yet full of purpose. It makes one reflect on how we create order. Editor: Order is paramount in engravings, of course! Note the clean, precise lines that define each figure. The use of hatching and cross-hatching creates subtle tonal variations, defining form within a restricted palette. The geometric divisions establish a narrative sequence ripe for deconstruction. Each panel is a semiotic unit in service to the overarching theme of patriotic militarism. Curator: Semi-what now? For me, it speaks to that deep human longing for a grand narrative, for a part to play in something bigger. You've got your brave warrior ready to claim his glory! They’re so hopeful and a bit innocent, caught in the machinery of something they maybe don't even quite understand. But aren’t we all a little bit like that, darling? Editor: That touches on the complex relationship between art and its ideological context, doesn't it? Curator: In miniature. And to what end, if peace is what every soldier truly desires? Even though that geometric frame holds them securely, you still feel their pulse for something greater. It’s a sweet kind of melancholy. Editor: You’ve made me consider beyond the grid’s neat precision to discover an unexpected narrative complexity here. I came in appreciating just the meticulous lines but I depart thinking about more ambiguous interpretations of patriotism and valor.

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