Crucifixion 1615 - 1660

Jan Gerritsz Swelinck made this print of the Crucifixion, and its dense imagery, using the exacting technique of engraving. The stark contrast of light and shadow is achieved by carving lines into a metal plate, which holds the ink. The pressure of the printing press then transfers this image onto paper. The material influence is clear: the sharp, precise lines are a direct result of the engraver's tools and the resistant nature of the metal. The amount of work involved is considerable, demanding both technical skill and artistic vision. But it’s not just about skillful execution. Notice how Swelinck has filled the scene with symbolic objects. A ladder, a shroud bearing Christ's image, a broken lantern and a smoking torch, a skull, and other objects associated with the Passion. By combining these diverse elements with such meticulous technique, Swelinck elevates printmaking from a mere reproductive craft to a powerful medium of artistic expression.