Gezicht op kasteel Zuilenstein te Leersum en de omgeving in vogelvlucht by Daniël Stopendaal

Gezicht op kasteel Zuilenstein te Leersum en de omgeving in vogelvlucht 1695 - 1726

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print, etching, engraving

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baroque

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dutch-golden-age

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print

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etching

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landscape

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etching

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cityscape

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engraving

Dimensions: height 638 mm, width 863 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have "View of Zuilenstein Castle in Leersum and its Surroundings in Bird's Eye View," made sometime between 1695 and 1726 by Daniël Stopendaal. It’s an etching and engraving, and it gives me a sense of order, like a carefully planned community. What strikes you about this piece? Curator: Immediately, I see an emphasis on land management and the controlled exploitation of resources. Note how the print meticulously details not just the castle, but the surrounding landscape—each field, each tree line. The work is clearly focused on displaying dominion. Consider how this object might have functioned within the system of land ownership and power. What kind of statement about value does this say to you? Editor: So, you’re saying it's less about the beauty of nature and more about showing off land ownership? That's interesting because I was focusing on the almost utopian design of it all. Curator: Precisely. Think about the labor involved in creating such a precisely laid-out landscape. The etching, as a multiple, disseminates the image, which in turn advertises a vision of absolute control and resource management available to landowners who exploit labor to such means. This image naturalizes this concept and makes it desirable. The very process of its creation and circulation highlights the social relations embedded within the land itself. Do you see it that way as well? Editor: I do now! The way you explain the labor that went into the landscape design, as well as the etching itself, really changes my perception of the artwork's intent. Curator: Good. Focusing on the tangible processes, like etching and landscape design, reveals power structures at play in what might initially seem a peaceful scene. Editor: It's fascinating how shifting the focus to the material aspects and social context can completely transform our understanding. Curator: Indeed. And by considering them, we can truly understand art beyond its aesthetic value.

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