De boekhandel en het loterijkantoor van Jan de Groot in de Kalverstraat te Amsterdam by Anonymous

De boekhandel en het loterijkantoor van Jan de Groot in de Kalverstraat te Amsterdam 1758 - 1843

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Dimensions: height 237 mm, width 208 mm

Copyright: Rijks Museum: Open Domain

Curator: Ah, look at this delightful tableau! It's a print dating somewhere between 1758 and 1843, titled "The Bookshop and Lottery Office of Jan de Groot on Kalverstraat in Amsterdam." Such a mouthful, but it's crammed with so much to see. Editor: Immediately, the facade just jumps out. It feels both grandiose and… claustrophobic? So many windows, so much brick! Curator: It does give off that feeling. But, that dense facade only highlights the bustling life at street level, right? And, think about it as an archetype: the bookshop, that center of enlightenment. The lottery, a space for wild hopes and maybe, reckless dreams. All pressed against each other! Editor: Exactly, these guys are dreaming big with their small lottery tickets. Curator: Symbolically, that press of the crowd mirrors that pressure of dreams, hopes, anxieties against the rigid grid of Dutch society. So, the shopfront is overflowing with bodies, it suggests a kind of controlled chaos, don't you think? Editor: Certainly a baroque controlled chaos, and, look at those faces. The print really captures that anxious energy around gambling and getting rich that we all recognize. And they’re clustered in this space where the potential of learning intersects with this wild chance! This work really shows the social currents that existed within Amsterdam. The artist even put people looking out the window from their home! They, like us, are viewing a specific moment in time. I feel like I know those folks, too. I suppose the artist wanted them as observers and us as the observed… It worked. Curator: It did work. In a single image it encapsulates something quite vital. Like this one freeze-frame reveals the heartbeat of the entire city! From a quiet family staring out the window, to men dreaming about a fortune. Editor: Absolutely. It also hints at a culture steeped in a strong moral structure facing an age of enlightenment. The artist asks us which world will survive.

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