The X 1968

Editor: This is Ronald Bladen’s "The X" from 1968, a sculpture that completely dominates the space. It’s so stark, almost severe, but the bold X shape also feels really powerful. What kind of impact do you think this piece has on viewers? Curator: The X hits you, doesn't it? An X, symbolically, often denotes a cancellation, a mark, something that blocks. Think of ‘X marks the spot,’ or how we use an ‘X’ to negate an answer. But what is Bladen blocking? Is it access, or is it perhaps redirecting our vision, creating a focal point within the surrounding architectural space? Editor: Redirecting, that's interesting! It certainly changes how I perceive the gallery itself. So, are you saying the impact of "The X" goes beyond its physical presence? Curator: Absolutely. The monochrome finish contributes to this symbolic reading. In art, monochrome can suggest the primordial, something fundamental stripped down to its essence. Here, does it highlight the basic architectural form itself, prompting us to reflect on what is and isn’t permanent, monumental, and meaningful to us? How do you feel about this analysis? Editor: It resonates because the monochrome makes the sculpture seem even more stark. It cuts all distractions from other colors and textures and amplifies that imposing geometric shape. It really encourages the observer to look more into the structure itself. Curator: The artist is making us look closer at shape and at form itself. And so in looking closer, how do we feel about these symbols and how we are able to create continuity? What impact does this have on our understanding of contemporary art? Editor: Thinking about it now, the ‘X’ does direct attention. I walked in seeing the room, but now I see the space _through_ the sculpture. I guess, I always thought a monochrome, simplistic sculpture meant a dead end. Thanks for helping me to view it instead as a symbolic guide! Curator: That is the fun in discovering symbolism. By contemplating visual language, the conversation never truly ends!