Dimensions support: 378 x 460 mm frame: 580 x 660 x 70 mm
Curator: John Linnell's "Harvest Moon," now housed in the Tate Collections, presents a captivating landscape, its precise date currently unconfirmed. Editor: The immediate feel is undeniably golden, with a hazy, dreamlike quality. It's a scene steeped in warmth and toil. Curator: Linnell, who lived from 1792 to 1882, was deeply interested in rural life and labor. This work encapsulates that engagement, offering a glimpse into agricultural practices. Editor: The figures almost blend into the landscape, their labor becoming part of the materiality of the scene. You sense their connection to the land. Curator: Indeed, and consider the symbolism of the harvest moon itself, often linked to abundance and the culmination of hard work. Linnell's work often promoted a vision of a pre-industrial golden age. Editor: Seeing it through that lens, it's also fascinating how the labor depicted is framed. Is it a celebration, or does it also touch upon the social conditions of the time? Curator: The painting opens many avenues for interpretation, showing us the value in both the material realities and social undercurrents within landscapes. Editor: Absolutely, it's a work that keeps giving, prompting us to think about both the earth and those who work it.
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By the middle of the nineteenth century, the old themes of rural labour and cottage life seemed to be exhausted. Paintings of the countryside tended to be sweetly sentimental and formulaic. The work of John Linnell represented a self-consciously poetic alternative. Looking back to the art of William Blake and Samuel Palmer, Linnell presented the countryside as a place of vision and religious mystery. Here, the undulating rhythms of nature and rural life that poets had written about for generations seem to be made apparent in the stylised forms of the landscape itself. Gallery label, September 2004