Damesschoen van bruine hoedenstro met open vlechtwerk van leren bandjes over de wreef en de zijkant van de schoen by Leloux

Damesschoen van bruine hoedenstro met open vlechtwerk van leren bandjes over de wreef en de zijkant van de schoen c. 1955 - 1960

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photography

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studio photography

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product photograph merchandise

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still-life-photography

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fashion mockup

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product fashion photography

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clothing promotion photography

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photography

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product design photgrpaphy

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clothing photography

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clothing photo

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retail photography

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clothing design

Dimensions length 23.5 cm, width 7.3 cm, height 5.2 cm

Curator: Let’s turn our attention to this rather curious photograph, showcasing a pair of women’s shoes from approximately 1955 to 1960, made with brown straw and featuring a leather lattice design. Editor: They strike me as incredibly delicate, almost architectural. The open weave pattern creates such lightness and visual interest, a captivating play of shadows and textures. Curator: The studio photography emphasizes the era's fascination with innovative material combinations in fashion. What makes these shoes noteworthy is their connection to broader trends, a striving for modern aesthetics easily available for consumers. They reflect a post-war optimism and embrace the accessibility afforded by new manufacturing techniques. Editor: Absolutely. I'm drawn to the contrasting elements: the rigidity of the heel, offset by the yielding curves and openwork above. It’s all meticulously crafted within the brown color palette; the shadows add a sculptural element, as if carved instead of woven. Curator: Brown was also a pragmatic color choice for the era. Think of it in connection with economic practicality and social mores of the period where durability and versatility in wardrobe pieces were valued. Editor: Though understated, I'm captivated by how the tight woven pattern plays against the open space of the lattice. And there's a fascinating visual rhythm that leads my eye across the image and accentuates its inherent elegance. The photographer beautifully captured it all! Curator: Indeed. The shoe's design and how its marketing photography was framed tell us volumes about shifting consumer habits and fashion's growing influence in defining female identities post-war. Editor: I now see past its simple photographic staging to notice its aesthetic details and subtle material qualities that invite the imagination. Curator: I appreciate you reminding us about those fine points. The photo opens to an expansive period in fashion history and culture studies!

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