Two satyrs 

This drawing of two satyrs was made by Pietro Liberi, using red chalk. Here, the artist coaxes the figures out of simple materials, harnessing the natural earthiness of the chalk, and its tendency to crumble when applied to paper. The image is defined by countless parallel strokes, a technique known as hatching. This process requires patience and control, building up tone and volume with subtle precision. Look closely, and you'll see how Liberi uses this methodical layering to suggest the satyrs’ muscular forms, and how they ripple beneath their skin. The hatching also creates a sense of depth, with areas of shadow and light carefully balanced to bring the figures to life. This artwork speaks to a time when skilled handcraftsmanship was deeply valued. The artist’s labor, evident in every stroke, becomes an integral part of the artwork's meaning. It challenges us to look beyond the finished image, to recognize the inherent value of the artistic process, and to question traditional divisions between art and craft.