Weefgetouw van Reed and Co op de Great Exhibition of the Works of Industry of All Nations van 1851 in het Crystal Palace in Londen by C.M. Ferrier & F. von Martens

Weefgetouw van Reed and Co op de Great Exhibition of the Works of Industry of All Nations van 1851 in het Crystal Palace in Londen 1851

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print, photography

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still-life-photography

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print

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photography

Dimensions height 165 mm, width 223 mm

Curator: This haunting photographic print from 1851 captures Reed and Co's power loom, displayed at the Great Exhibition in London's Crystal Palace. Photographed by C.M. Ferrier and F. von Martens, it shows incredible detail for its time. Editor: It’s imposing. Even still, you can feel the weight of industry—and I find it unexpectedly unsettling. The looming loom nearly fills the frame. Curator: The choice to portray the loom as a solitary protagonist resonates powerfully, doesn't it? The loom takes on a symbolic potency. It's almost like an industrial idol, photographed with a stillness befitting a sacred object. Editor: Exactly! It embodies both the marvel and the anxieties of that era—a tangible manifestation of Victorian progress but with the social complexities looming as its byproduct. Consider how the rise of these technologies centralized production and altered working conditions. Curator: Absolutely, it’s the very embodiment of manufactured destiny! The intricate mechanics also trigger symbolic links. Consider weaving’s deep connection to fate and the threads of life. Editor: It's fascinating to consider this image within the context of the Great Exhibition itself. It was conceived as a celebration of global industry but became a stage where notions of national power and technological determinism were reinforced. This one machine becomes representative of an empire. Curator: It certainly is. And it encourages thoughts on the narratives around technological advancement, its social ramifications, and how they resonate, visually. Editor: Yes, the narrative and impact. This one still. After viewing it, one could spend far more time examining today’s technological innovations for similar social-political meanings. Curator: I agree. Viewing this image allows us a chance to reflect on how technologies are visualized and celebrated, which continues to impact cultural assumptions of progress.

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