Dimensions: support: 298 x 540 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Samuel Scott, active in the first half of the 18th century, presents "A View of Westminster Bridge and Parts Adjacent," currently in the Tate Collections. Editor: It's quite remarkable how Scott captures the light, a golden hue reflecting off the water—almost an idealized vision. Curator: Indeed. Observe how the bridge's arches create a rhythm, a visual echo that's balanced by the verticality of the buildings on the right. The materiality appears very precise, with detailed brushwork. Editor: I'm drawn to the boats and the figures; they speak to the labor involved in river commerce at the time. You can almost feel the grit and the everyday hustle. Curator: The subdued palette reinforces the sense of historical distance, yet the composition maintains a certain timelessness. Editor: It makes you think about how infrastructure shapes the lives of the people who depend on it. Curator: A worthwhile reflection for the viewer, I think. Editor: It's interesting to see how social history and formal qualities can come together like this.
http://www.tate.org.uk/art/artworks/scott-a-view-of-westminster-bridge-and-parts-adjacent-n00314
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Scott painted this view of Westminster Bridge as a pair to a 'View of London Bridge before the Late Alterations', shown nearby. The two pictures make a deliberate contrast between the old (Old London Bridge) and the new (the recently completed Westminster Bridge), further emphasised by the choppy tidal current shown in the former, and the calm waters of this picture. Scott painted several versions of it, all of which appear to be based on a detailed panoramic drawing which he kept in his studio until his death. The details of Derby Court, on the extreme right, and Dorset Court next to it, are meticulously depicted, as is the busy river traffic, which was such feature of eighteenth-century London life. Gallery label, September 2004