Det nye værft på Christianshavn by C. Vosbein

Det nye værft på Christianshavn 1743

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print, etching, engraving

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baroque

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print

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etching

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etching

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cityscape

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history-painting

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engraving

Dimensions 210 mm (height) x 314 mm (width) (plademaal)

Editor: This etching, “Det nye værft på Christianshavn” from 1743 by C. Vosbein, gives a detailed view of the new dockyards. What strikes me is how it almost seems like a promotional image, highlighting the industrial capacity and maritime power. What stands out to you about this print? Curator: Notice how the etching foregrounds not just the completed ships but also the infrastructure and processes necessary for their construction. See the scale of these ships juxtaposed to that of the laborers and carpenters working with them. This emphasizes the labor embedded in the creation of these maritime vessels. This etching elevates craft and industry, suggesting that the means of production—the docks, the tools, the manpower—are themselves worthy of artistic representation. Why do you think it’s rendered in such detail? Editor: I see your point about labor! I suppose that in a world before photography, such minute detailing was vital for accurately communicating information, highlighting precision, celebrating mercantile expansion, or simply capturing reality. Could we also view the material limitations of the printing process—etching on metal—as intrinsically linked to the work’s aesthetic? Curator: Exactly! The conscious decision to render such a sprawling scene with etching and engraving is particularly relevant. This technique lends itself to capturing the industrial prowess celebrated in the image. The crisp lines and ability to create fine detail made the ships look modern and orderly, as if trying to represent industry as pristine rather than dirty or disorganized. How might consumerism play a role in interpreting this landscape? Editor: Hmmm...perhaps these highly detailed, readily reproducible prints democratized art. Maybe their production invited people to invest, buy, or feel a sense of local pride? I guess art can play more than one role at a time! Curator: Precisely. The materials and techniques of this etching are inextricably tied to its content and its socio-economic function. What might seem at first glance like a simple cityscape actually opens up complex discussions about labor, industry, and the very nature of art itself. Editor: Fascinating. I'll never look at historical prints the same way again.

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