Summer 1699

Curator: This is "Summer" by Karl Gustav von Amling, a print that, according to the inscription, he both designed and engraved. Its inscription also mentions a painter, "P. Cand." Editor: The first thing that strikes me is the overt symbolism – the figures, landscape, even the dog seem to embody the essence of the season. It feels staged, an allegory. Curator: Absolutely. Looking closely at the printmaking technique, you see the density of lines creating texture and shadow which gives it depth. The labor is considerable. Editor: The figures are clearly classical in inspiration, perhaps a nod to the Roman understanding of months. I wonder about the presence of that dog – is that fidelity, loyalty, simply the heat making it lethargic? Curator: Interesting point! Amling, as engraver, would have considered the paper, the inks, the press itself as integral to the image’s final presentation and dissemination to audiences. Editor: Examining the landscape imagery and its cultural significance gives us an insight into the season as a symbol of abundance and fertility. Curator: It's fascinating to consider how Amling's craftsmanship intersects with such cultural emblems. Editor: Indeed, a reminder of how symbols and material practices intertwine to create lasting meaning.