Triomf van de liefde 1563 - 1567

Philips Galle's "Triumph of Love," an engraving, presents Cupid in a triumphal procession, a powerful symbol of love's dominion. He sits atop a chariot, bow in hand, ready to strike. This motif of the "triumph" echoes through time, from ancient Roman victory parades to Renaissance festival depictions. Yet, Cupid himself is an enduring figure, transformed from the Greek Eros, the primal god of desire, into the mischievous cherub of popular imagination. We see the echo of his power across eras. It is as if humanity is collectively remembering our intense preoccupation with love. Here, consider Cupid’s presence, not merely as a deity, but as a manifestation of the irrational, overwhelming forces of affection that have captivated humanity since the dawn of time. Like a potent, primal force, this image engages our subconscious. The cyclical progression of this symbol resurfaces, evolves, and takes on new meanings.