Plum and Camellia Branches by Nagayama Kōchoku

Plum and Camellia Branches 1829

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drawing, print, paper, ink, woodblock-print

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drawing

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print

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asian-art

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landscape

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ukiyo-e

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paper

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ink

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woodblock-print

Dimensions 14 1/2 x 19 7/8 in. (36.8 x 50.5 cm) (image, sheet)

Editor: We're looking at "Plum and Camellia Branches," a woodblock print in ink and color on paper from 1829, created by Nagayama Kōchoku and held at the Minneapolis Institute of Art. It strikes me as quite delicate and serene, almost like a personal letter. What do you see in it? Curator: Well, first off, the combination of plum and camellia… they represent winter and spring respectively. This immediately brings to mind cycles of renewal, doesn’t it? Kōchoku’s Ukiyo-e landscape print, beyond just capturing a scene, almost speaks of impermanence… of things passing but always returning in new form. What do you make of the text alongside the image? Editor: I hadn't considered the seasonal aspect so explicitly, thanks! I confess, I can't read it, but the calligraphy itself has such presence, a kind of counterpoint to the flowering branches... Does it change how one 'reads' the floral image itself? Curator: Precisely! It's like the visual and written form become entwined reflections of each other. Ukiyo-e artists didn't see art forms in isolation – poetry, calligraphy, images… it's all a dance together, inviting a slower contemplation. One is prompted to consider how words add layers and feelings that the image doesn't state so directly. What feeling arises as you let yourself just spend a little more time considering that? Editor: I notice, now that you mention the text and image informing each other, how much the eye dances back and forth! The spare use of colour directs your eye, it gives a modern pop to an antique form. I initially didn't feel so engaged with it but find this to be an especially delightful little moment now. Curator: Absolutely! These kinds of woodblock prints capture fleeting moments of beauty – cherry blossoms, the moon, falling leaves - encouraging us to find extraordinary beauty within ordinary, daily life. And maybe, it also softly challenges us to be less 'speedy' in our appreciation, no? Editor: I'll certainly think twice before rushing past these at the museum. This piece reminds me that intentionality matters, a gentle and effective message!

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Plum and camellia trees both blossom in early spring. Since New Year's typically occurred in spring according to the traditional lunar calendar, these flowers came to be emblematic of renewal and regeneration in Japan. Housewives would cut branches from the trees, as seen here, and bring them indoors where the buds would open to form a festive decoration for New Year's celebrations.

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