Mlle. Waldro, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes by Kinney Brothers Tobacco Company

Mlle. Waldro, from the Actresses series (N245) issued by Kinney Brothers to promote Sweet Caporal Cigarettes 1890

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drawing, print, photography, albumen-print

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portrait

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drawing

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print

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photography

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albumen-print

Dimensions Sheet: 2 1/2 × 1 7/16 in. (6.4 × 3.7 cm)

Editor: Here we have "Mlle. Waldro," a photograph from 1890, part of the "Actresses" series by Kinney Brothers, created to promote Sweet Caporal Cigarettes. The sepia tone gives it a vintage feel, almost like a glimpse into another world. I'm curious, what stands out to you when you look at this piece? Curator: I'm immediately drawn to the context of this image within the broader landscape of advertising and the commodification of women in the late 19th century. These actresses were essentially selling tobacco through their image, right? Editor: That’s a good point. It's like early influencer marketing. Curator: Exactly. It prompts us to consider the power dynamics at play. How much control did Mlle. Waldro have over her own image and how it was used? The very creation and dissemination of images like this are embedded in complex systems of representation, gender, and capitalist expansion. Were the "Actresses" series empowering or exploitative or, more likely, a bit of both? Editor: That's interesting. I hadn't considered the layers of power and control involved. It definitely shifts my perception. It feels less romantic now and more... calculated? Curator: Yes, and think about the audience. These cards were often collected and traded, mostly by men. How did that affect their view of women in the performing arts? How does that contrast, or even mirror, today’s celebrity culture? These are questions that invite us to connect the historical past with our contemporary moment. Editor: I see. So, it's not just about appreciating the aesthetic but understanding the message it sends and its social implications. Thanks for pointing out a more critical view, it definitely makes me rethink the image. Curator: Absolutely, every artwork is a product of its time. Reflecting on that is how we deepen our engagement with art.

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