Portrait of Wigbold Slicher and Elisabeth Spiegel as Paris Handing Venus the Appel 1656
ferdinandbol
painting, oil-paint
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portrait
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allegory
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narrative-art
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baroque
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dutch-golden-age
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painting
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oil-paint
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figuration
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mythology
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genre-painting
Ferdinand Bol’s “Portrait of Wigbold Slicher and Elisabeth Spiegel as Paris Handing Venus the Apple” (1656) is a double portrait of a couple, Wigbold Slicher and Elisabeth Spiegel, as a metaphor for the Judgement of Paris from Greek mythology. Slicher, dressed in a red robe, offers a fruit to a partially nude Spiegel, representing Venus, who holds their child. The painting shows a clear influence of Bol’s mentor, Rembrandt van Rijn, with its focus on light and shadow and the use of allegory in the portrayal of the couple. This double portrait, although a historical scene, depicts the couple’s love and affection.
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