Portret van Karl August von Hardenberg by Carl Hermann Pfeiffer

Portret van Karl August von Hardenberg 1779 - 1829

drawing, print, engraving

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portrait

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pencil drawn

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drawing

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neoclacissism

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print

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pencil sketch

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old engraving style

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engraving

Editor: Here we have a print entitled "Portret van Karl August von Hardenberg," dating from sometime between 1779 and 1829. It’s created with engraving techniques and gives a real sense of formality, almost a rigidness, due to its monochromatic nature. What do you see in this piece from your perspective? Curator: The portrayal of Karl August von Hardenberg within this oval frame reminds us of the era’s fascination with classical forms, a key element of Neoclassicism. As a prominent Prussian statesman, his image was carefully crafted and widely disseminated to solidify his public persona. What's striking is the way the print media contributed to constructing Hardenberg’s authority. Consider where these images might have been displayed and what purpose they served. Editor: That’s interesting. I hadn’t thought about the deliberate construction of his image. Would this have been circulated amongst the elite, or more broadly? Curator: Both, I suspect. These prints functioned on multiple levels. To the elite, it affirmed his status within their ranks and perhaps even served as a symbol of Prussia's enlightened rule. Simultaneously, circulating it more widely fostered a sense of national identity and loyalty toward its leaders. Can you see how the visual language, particularly his attire and the symbols of office, plays into that? Editor: I see it now – the medals, the sharp lines of his coat, the somewhat severe expression. It’s all very intentional. So this wasn’t just a portrait; it was political messaging. Curator: Exactly. The history of portraiture in the 18th and 19th centuries is intertwined with the development of print culture and political ideology. By understanding that, we get a clearer picture of the socio-political landscape. Editor: I never would have considered all the layers to a seemingly simple portrait. It’s definitely given me a lot to think about. Curator: Me too! Thinking about distribution methods, as well as what imagery was displayed where, opens up more perspectives about its cultural influence.

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