Portret van een vrouw, aangeduid als Adele Grossmann by Adolf Schmidt

Portret van een vrouw, aangeduid als Adele Grossmann 1850 - 1900

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photography, gelatin-silver-print

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portrait

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16_19th-century

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charcoal drawing

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photography

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historical photography

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gelatin-silver-print

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19th century

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realism

Dimensions height 85 mm, width 51 mm

Curator: Standing before us, we have a late 19th-century gelatin silver print entitled, "Portret van een vrouw, aangeduid als Adele Grossmann," attributed to Adolf Schmidt. What leaps out at you when you look at her? Editor: Austere. She's framed within this ornate oval, yet her expression... distant, almost mournful. There's a curious tension between the decorative framing and her grounded realism. Curator: Precisely! Studio photography of this era served specific social functions. Portraiture allowed for a wider circle of society to claim enduring representation. What narratives do you think portraiture tells us about class, identity, or self-fashioning in this period? Editor: It's a fascinating claim of permanence in an era of massive social change. The stiff pose, the elaborate dress – it all speaks to aspiration, a desire to be remembered and seen in a particular light, often for generations. Was it successful, one wonders. Curator: It begs the question: who controls the narrative? Is it Adele, who, despite an "austere" presentation, still consciously constructs this image, or Schmidt, who composes, shoots, and then reproduces this image for public consumption? And who names this work? Her name is "aangeduid als Adele Grossmann." It's like she’s almost known, but not quite? Editor: And look at the context! It is photographed for collective keeping, because you can make out other portraits within this specific album. How fascinating that what felt very personal was so easily produced on a larger scale. The rituals of mourning, remembrance... were such lucrative industries in the 19th century. It made lives less about living than about being remembered. Curator: Yes, and here she is, looked at once more in another century, speaking silently to us of those rituals, those desires. So much meaning imbued into a seemingly simple photograph. Editor: Exactly. Looking again, there is an undeniable sadness. A captured moment, now forever part of the public's ever-growing collection of images.

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