Saint Martin's Bridge, Paris c. 20th century

Curator: This is Herman Armour Webster's etching, titled "Saint Martin's Bridge, Paris." Editor: Stark and romantic, like Piranesi but with a touch of melancholy. Curator: Webster, born in 1878, was known for his etchings, which captured architectural details, especially of European cities. He handled the copper plate himself. Editor: Bridges, as a form, signify connection but also division—think about who had access and who was denied. Curator: The lines are so carefully placed, describing the stones, the water, and the buildings. It’s about the precise labor. Editor: Yes, but it also evokes the legacy of colonialism that funded much of this construction, reflecting a time of vast inequity. Curator: The bridge's physical structure, though, its very making, speaks to the tangible effort and planning required to build this landmark. Editor: I appreciate knowing about his etching process, but it's impossible to ignore the layers of socio-economic narrative embedded within this image. Curator: It's a delicate balance he strikes between technique and subject. Editor: Ultimately, Webster presents us with a portrait of power, class, and the physical embodiment of social division.