Frédéric Perrenot, 1536-1602, Lord of Champagney, Governor of Antwerp 1571 [obverse] 1574

Curator: Here we have a bronze relief portrait of Fréderic Perrenot, Lord of Champagney and Governor of Antwerp, made in 1574. It's quite striking, isn't it? Editor: Indeed. There's an immediate sense of formality and, perhaps, a hint of unease emanating from this fellow, mostly conveyed by the tension around his mouth. How was this interesting piece made? Curator: Jacob Zagar cast it, a medallist whose work offers insights into the means of production and distribution of status symbols during that era. The texture of the bronze is especially notable – a rough, almost tactile quality juxtaposed with the smooth, polished surface of Perrenot's armor. Editor: Absolutely, but consider what Perrenot's armor signifies. It presents a carefully crafted image of power. Note how the scale pattern mirrors both strength and impenetrability. How does this man want to be remembered? Curator: Power is literally embodied here. The weight of the material and craft all represent him as a powerful individual but, even more specifically, this form of reproduction also raises questions about the cost of his production, and whether he can afford the very best for himself. Editor: Precisely! It speaks to the visual language of the 16th century, using conventional symbols of office to communicate his authority and importance. His clothing even carries an iconic value. Curator: Well, that ruffled collar must have taken some effort to make. The production and wearing of such things, especially with that detailed metal work, speak to economic and social class distinctions. The making, and the display of, communicates just as loudly as any inherent symbology. Editor: Very true. Look too at his severe profile, presented with the gaze forward, perhaps looking to the future. These were turbulent times in the Netherlands, so how this leader wished to project his confidence really resonates in retrospect. Curator: Exactly! Through Zagar’s attention to the means of crafting this medal, we’re offered the rare chance to really feel the pressure and craft and power involved in image creation. A tiny peek behind the curtains, almost. Editor: So in short, a fascinating study of power, symbolism, and the way it's all intertwined in both materials and the ideas we associate with people. Curator: Indeed, the weight of history in our hands – quite literally when considering the bronze itself.