The Naniwaya Pine in Adachi-chō by Utagawa Hiroshige

The Naniwaya Pine in Adachi-chō c. 1834

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print, ink, woodblock-print

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print

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asian-art

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landscape

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ukiyo-e

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ink

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woodblock-print

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genre-painting

Dimensions: 8 3/4 × 13 7/8 in. (22.3 × 35.2 cm) (image, horizontal ōban)

Copyright: Public Domain

Curator: This is Utagawa Hiroshige's woodblock print, "The Naniwaya Pine in Adachi-chō," created around 1834. What strikes you first? Editor: Overwhelming green! It's like a botanical explosion, dominating the scene. I'm drawn to how that mass of foliage dwarfs everything around it. Curator: Exactly. And Hiroshige achieved that verdant depth using meticulous carving and layering of inks, typical of ukiyo-e prints. Can you imagine the hours spent meticulously cutting the woodblocks to create that density? Editor: I’m sure the labor was extremely painstaking. These weren't simply individual artistic choices, were they? This print would have been part of a much wider network, wouldn’t it, of printers, block cutters, pigment makers...a whole material ecosystem! Curator: Precisely. It gives us a snapshot into 19th century Japan and its culture. See how the pine is propped up on all of those little posts? How wonderfully odd and vulnerable is that? Editor: A marvel of human intervention, nature tamed for our viewing pleasure! It is beautiful. All the social markers really bring it together though--I’m considering how clothing reflects societal structure, perhaps implying wealth or class distinction here in Japan. Curator: That social aspect is important, indeed. The travelers on the road provide such contrast. It brings it all together, I think. Editor: The composition makes you consider perspective in new ways too. The artist guides us toward that blush of dawn light on the horizon. I love this balance of cool blues against the warm pink of the sun's touch. Curator: And look at the ink! The gradient of blues across the rooftops mimics that soft morning sky and makes for an immersive experience that transcends the boundaries of printmaking. Editor: Considering all the many hands, Hiroshige’s print shows that production can also possess exceptional art, ingenuity, and spirit. I appreciate it more now that I think about how material processes shaped this creation. Curator: As do I! What was once "just a landscape" blooms with understanding when you really think about it.

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Comments

minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

This picture is after an illustration in vol. 住吉郡1 of Pictures of Famous Places in Settsu (Settsu meisho zue) from 1796.

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