Design for an Epitaph surmounted by a Statue of the Virgin and Child 17th century

Editor: Here we have an intriguing ink drawing from the 17th century titled "Design for an Epitaph surmounted by a Statue of the Virgin and Child." The artist is unknown. I find the symmetrical layout with the empty epitaph quite striking. What compositional elements stand out to you? Curator: The architectural structure, the titular epitaph, predominates. Notice how the artist uses line – primarily contour – to articulate volume and define forms within this drawing. The density of the lines create visual textures as well. Consider, too, how the linear quality flattens the depth. Is the drawing successful at conveying three-dimensionality or not? Editor: That's an interesting question. I see how the linework flattens the image somewhat, but the hatching around the Virgin and Child adds a sense of depth and volume. What is the relationship between the sculpture and the rest of the epitaph? Curator: I suggest we carefully observe the use of positive and negative space. The Virgin and Child surmount the architectural elements, an assertion of their primary symbolic position. This elevation guides the eye and underscores a hierarchical relationship within the overall composition. Notice how your attention is focused upwards, towards this iconic pairing, away from the blank epitaph beneath. Editor: That's a good point. I was so focused on the symmetrical frame that I overlooked the symbolic importance of placement. So the artist is less concerned with the inscription, and more concerned with evoking spiritual ascent through pictorial construction. Thanks for illuminating this! Curator: Precisely. By understanding form, we grasp the intended function, the higher ideal the artist is trying to represent.