Dimensions: support: 629 x 343 mm frame: 812 x 532 x 85 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This is Lady Dorothy Stanley's painting, "His First Offence," housed at the Tate. The oil paint feels so thick and heavy, especially in his clothes. What can you tell me about this work? Curator: Notice the boy's worn clothing and clasped hands resting on what seems to be a barrier. How might the mass production and availability of materials, like textiles, have shaped the realities depicted here and Stanley's choice of subject? Editor: So, not just about the boy, but about how his world was made? Curator: Exactly. Consider how art making itself, the material labor of painting, relates to the labor visualized within the frame. What is being consumed here, and by whom? Editor: I never thought of the art's materials as part of the story, too. Thanks! Curator: It's all interconnected. Every brushstroke tells a tale of production and society.
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http://www.tate.org.uk/art/artworks/stanley-his-first-offence-n01567
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Dorothy Stanley was well-known for painting London street children. She sketched them in all kinds of activities; ‘walking along the streets you can learn far more than in your studio’. This boy is one of several that Stanley got to know and employed as regular models for her paintings. The court setting recalls literary characters such as Oliver Twist and reflects public concerns and campaigns that were slowly reforming child justice. However, the title reference to a ‘first offence’ distinguishes this boy from repeat offenders, to appeal to popular prejudices about the ‘deserving’ and ‘undeserving’ poor. Gallery label, May 2023