En haveterasse i Genthod med et spadserende par by J.F. Clemens

En haveterasse i Genthod med et spadserende par 1778

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print, etching

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neoclacissism

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print

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etching

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landscape

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etching

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figuration

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genre-painting

Dimensions: 69 mm (height) x 130 mm (width) (plademaal)

Curator: This is "En haveterasse i Genthod med et spadserende par," or "A Sea Terrace in Genthod with a Strolling Couple" created around 1778 by J.F. Clemens. It is a print, more specifically an etching. Editor: It's incredibly detailed. The sheer precision of the lines creates a world that feels both peaceful and carefully constructed, a landscape etched in thought. Curator: Exactly. The piece is rooted in Neoclassicism. Observe how Clemens structures the composition; there's a deliberate arrangement, a geometric interplay that leads the eye through the scene. Editor: I’m drawn to the figures. They are not just people strolling; they are embodiments of an era. The woman with the parasol, the man with what appears to be gardening tools—they evoke a certain social class, a cultivated leisure. Their attire even hints at the power dynamics inherent in late 18th-century society. Curator: Good point, because of this we get a structured harmony. The rigid lines of the architecture against the organic forms of the trees and the mountains, for example, or even how Clemens employs light and shadow to give the impression of depth on this flat, etched surface. It's an intentional design. Editor: And look at the details around them – they act almost as stage props for the central drama. The mountains in the background seem romantic, and speak to the human connection to the land. And on the left a lonely figure at a desk – very interesting that the author did not exclude laboring people completely. Curator: What resonates with me is that it encapsulates Neoclassical ideals but uses such painstaking means. One might argue that Clemens found structure even within apparent artistic spontaneity. Editor: Agreed, looking deeper has unveiled not just the image itself, but also echoes of social codes and the aesthetic values of the era, beautifully expressed through those etched lines. Curator: A rewarding balance of formal study with iconographic meaning – it's something I'll be mulling over, for sure.

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