Cupid Riding an Eagle Symbolizing Air, after Thorwaldsen c. 19th century

Curator: This is Bonfiglio Zaccagnini's rendition of "Cupid Riding an Eagle Symbolizing Air, after Thorwaldsen," a delicate piece measuring just over six centimeters in diameter. I am struck by the interplay of power and innocence captured in this small medallion. Editor: It's so evocative. I'm immediately drawn to the inherent contradiction: a cherubic Cupid, typically associated with gentleness, astride the mighty eagle, a symbol of imperial power. What does this visual tension communicate about societal notions of power? Curator: Considering Zaccagnini was working in the 19th century, we can view this piece through the lens of emerging social and political dynamics. The eagle, often representing masculine dominance, is being ridden by a figure coded as innocent and pliable. Editor: That certainly challenges conventional gender roles. The eagle's symbolism is subverted, softened even, by the presence of Cupid. It implies an intersection, perhaps even a negotiation, of power dynamics. Curator: It's also fascinating how this piece engages with classical mythology while hinting at future social realignments. Editor: It makes you contemplate the many layers of meaning embedded in commonplace symbols. A small piece, with so much to say. Curator: Precisely, an intimate artwork reflecting broader cultural shifts.