Momus 1729

Curator: The initial impression is one of lightness, almost like a delicate architectural sketch, something provisional and ethereal. Editor: Indeed. This is Jean Moyreau’s print titled "Momus," currently housed at the Harvard Art Museums. Its dimensions suggest this was intended for fairly intimate viewing. Curator: Momus, the Greek god of mockery, seems like an odd choice for such an ornate design. I am struck by how even the placement of the musical instruments seems symbolic, like a carefully constructed puzzle. Editor: I agree. And the printmaking process itself – the precise etching on the metal plate, the application of ink, and the pressure to transfer the image – speaks to a system where even satire is meticulously crafted for consumption. Curator: The layers of artifice are definitely present, especially how the naturalistic elements, such as the flowers, are forced into the rigid, decorative framework. Editor: Considering the labor involved, the print becomes a tangible record of cultural values. Curator: It makes me rethink the role of satire, as both challenge and commodity. Editor: A fitting subject for the god of mockery, wouldn't you agree?