Fåreflok ved en landsby by Jean Baptiste Bonnecroy

Fåreflok ved en landsby 1618 - 1676

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print, etching

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dutch-golden-age

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print

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etching

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landscape

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cityscape

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genre-painting

Dimensions 113 mm (height) x 159 mm (width) (bladmaal)

Curator: Looking at "Fåreflok ved en landsby," which roughly translates to "Flock of Sheep by a Village," dating to sometime between 1618 and 1676, my first thought is how this scene evokes a sense of pastoral peace, a respite almost, through incredibly intricate etching. Editor: It certainly has a quiet charm. The delicate lines constructing the buildings and suggesting the foliage remind me of a kind of collective visual memory of 'Dutch Golden Age' serenity. Even though it’s just a print. How does it resonate with wider historical narratives? Curator: Well, remember the sociopolitical backdrop of the Dutch Golden Age; unprecedented prosperity, sure, but also rigid social hierarchies. Pictures like these were bought by bourgeois traders who liked to remember simple life... or at least liked to imagine that simplicity. Bonnecroy’s etching participates in that ideological shaping. We could dig into questions of property and the cultural status of farmers and land. Editor: Yes, that is helpful. It allows me to read symbols into things—sheep indicating wealth but also pastoral vulnerability. The lone figure walking away… Is it the shepherd? Or is it a symbolic wandering soul or an exodus? It suggests universal themes: movement, displacement, hope... perhaps. The village could be read as a promised place. What were Bonnecroy’s own influences, in terms of symbolic systems? Curator: Bonnecroy, as a printmaker working within this burgeoning Dutch art market, would be tuned into trends; landscapes spoke of Dutch independence. So, these aren’t just images; they’re ideological landscapes shaped by specific social forces and artistic conventions. It reflects what wealthy citizens of the Netherlands needed their landscape, and themselves, to be, in those days. Editor: This layering gives such depth, connecting individual artistry to bigger collective ideas through shared, legible symbolism! And that gives more weight to Bonnecroy’s statement, here, with a symbolic vernacular anyone can relate to! Curator: Indeed, thinking about it in the context of these histories brings a whole new appreciation. Thanks! Editor: Absolutely, Curator, seeing it woven into societal threads clarifies its impact. What a small but compelling lens into a bygone time.

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