Tetradrachm of Alexandria under Salonina c. 264 - 265

Editor: Here we have a Tetradrachm of Alexandria under Salonina, residing at the Harvard Art Museums. The material's texture is quite striking. What compositional elements stand out to you? Curator: The coin's circular form immediately dictates the organization of its two faces. On one, the bust of Salonina is rendered in profile, a classic Roman compositional technique. Observe the meticulous detail in the hair. Editor: And on the reverse? Curator: We see a figure seated, perhaps a deity. Note how the drapery folds are created through the skilled manipulation of relief. The artist has used line and form to communicate status and power. How does that strike you? Editor: I see how the formal elements work together to convey meaning. The medium and artistry are intertwined. Curator: Precisely. The object itself and the way it's crafted give the work its voice.