Ronde doos met deksel 1910

This is G.H. Lantman's round box with a lid. Immediately, we're drawn to its compact geometry – the perfect circle of its form, softened by a subtle, almost imperceptible swell of its base. The dominant hue is a muted, aged bronze, which gives it a timeless feel. What truly captures the eye is the intricate detailing on the lid. It's a dense tapestry of floral motifs, meticulously etched. The contrast between the plain body and the ornamented lid creates an intriguing visual tension. But consider this object within the context of structuralism. The box as a container becomes a signifier. What does it mean to enclose? What secrets does it hold? The lid, with its decorative excess, adds another layer of semiotic complexity. It speaks to ideas of value, ornamentation and the hidden depths beneath surface appearances. This work challenges us to consider how an everyday object can become a site of profound aesthetic and cultural meaning.