Twee onderboezems c. 1866 - 1900

This drawing of two mantelpieces is made with fine lines that give the structure of these objects a solid presence. Both mantelpieces are studies in architectural form, yet the details that make up their structure introduce a decorative element. The linear exactness highlights the interplay between form and function, where the fireplaces become not just practical features but statements of design. We can observe how the upper design contrasts sharply with the rounded arch of the lower one. The composition utilizes a semiotic system of signs to interpret how cultural codes have shaped the artwork's creation. Note how the rectangular form, with its geometric precision, provides a visual language of order, against the more flowing, curvilinear shape of the archway. What's interesting is the anonymous nature of the artist, freeing the viewer from preconceived notions, encouraging us to engage with the artwork based purely on its aesthetic merits and formal qualities. This directs our attention to the structure itself.