Canapé en chaise longue 1885 - 1895

Léon Laroche made this print showing sofa designs using etching and engraving techniques. The designs are part of a collection called "Le Garde-Meuble," reflecting the French tradition of cataloging and standardizing furniture styles. Looking at the "Canapé Louis XV" and "Chaise Longue Henri II," we can see how designs are named after French kings, signaling a desire to connect with and revive historical periods. This naming convention isn't just about aesthetics; it also speaks to a desire to legitimize power and authority. By linking furniture design to the monarchy, the image subtly reinforces a certain social order. These designs reflect a specific cultural and economic context. The rise of the bourgeoisie and the industrial revolution led to an increased demand for luxury goods. The image is not just about selling furniture, it’s about selling a lifestyle, class identity and cultural values. Historians can look at publications like “Le Garde-Meuble” to unpack the social and cultural meanings embedded in these designs.