Studieblad med to landskaber, foroven en å bag hvis flade bredder man både t.h. og t.v. ser skovbryn. Forneden en sø med en hejre mellem siv, i baggrunden skov og bakker. by P.C. Skovgaard

Studieblad med to landskaber, foroven en å bag hvis flade bredder man både t.h. og t.v. ser skovbryn. Forneden en sø med en hejre mellem siv, i baggrunden skov og bakker. 1817 - 1875

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drawing

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drawing

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quirky sketch

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pen sketch

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personal sketchbook

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sketchwork

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ink drawing experimentation

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pen-ink sketch

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pen work

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sketchbook drawing

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storyboard and sketchbook work

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sketchbook art

Dimensions 222 mm (height) x 347 mm (width) (bladmaal)

Curator: Here we have "Studieblad med to landskaber…", a drawing by P.C. Skovgaard, likely created sometime between 1817 and 1875. It’s currently held at the SMK, the Statens Museum for Kunst. Editor: My first impression is of quiet observation. The muted tones create a serene atmosphere, almost melancholic, like a memory fading at the edges. Curator: Absolutely. It’s rendered in pen and ink, and it captures two separate landscape studies on a single sheet. Looking at Skovgaard's broader context, this piece resonates with the Romantic nationalist movement of 19th-century Denmark. The focus on landscapes and the ‘natural’ was crucial in solidifying a distinct Danish identity, free from the long shadow of the Kalmar Union. The very act of sketching en plein air, like this, has political undertones. Editor: The visual language reinforces that sense of identity. I’m immediately drawn to the heron standing so still in the lower study. Throughout Western art history, the heron frequently embodies watchfulness, solitude, even nobility in certain contexts. Its presence here, within this seemingly humble landscape, speaks volumes about the enduring symbolic power that these natural emblems carry. And the reeds give me the feeling of the cycle of life... how the land has always been feeding other life in that land... Curator: Interesting... particularly its solitude! How the nation might envision itself. And even more fascinating when we think of Hans Christian Andersen at the time who understood how deeply connected and mutually vulnerable we all are... Editor: Precisely! While visually straightforward, Skovgaard's sketching carries multi-layered emotional and cultural resonance that transcend mere representation. It captures both the grand scale of a landscape and the intimacy of feeling associated with specific places in the area that now carries collective and even personal significance. Curator: Thank you. It serves as a powerful reminder of art’s inherent connection to its social and political framework. Editor: A thoughtful contemplation for those attuned to the enduring symbols embedded in visual narratives.

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