Maria met Kind 1614 - 1657

Pierre Daret created this engraving, ‘Maria met Kind,’ in Paris during the 17th century. It depicts Mary holding the infant Jesus, and it reflects the enduring influence of classical antiquity on European art and religion. Daret worked during a period of religious conflict and consolidation. The Catholic Church, a major patron of the arts, used images of the Virgin Mary to reinforce its doctrines and appeal to the faithful. The classical drapery and idealized figures evoke a sense of timelessness, but also power. This engraving was part of a larger visual culture that shaped religious belief and practice in France. Engravings like this circulated widely, carrying cultural and religious ideas across geographical boundaries. Historians analyze such images using a variety of sources, from theological texts to social histories, to understand their original context and continuing impact. They remind us that the meaning of art is always shaped by its social and institutional environment.