Untitled 1955

This intriguing piece by Roger Bissière presents a field of geometric forms, predominantly squares and rectangles, rendered in monochromatic tones with a stark, almost architectural quality. These forms, densely packed, evoke a sense of urban complexity, reminiscent of cityscapes viewed from above, or perhaps, even an archeological dig site. The square, a motif laden with symbolic weight, has long represented order, stability, and the earthly realm. Consider its presence in ancient city planning, religious iconography, and even the layout of sacred spaces across cultures. Yet, here, the squares are fragmented, disrupted, hinting at a world where established structures are constantly in flux. The blue accents disrupt the monochrome, echoing the 'distant blue' or 'sehnsucht' of Romanticism, suggesting the unconscious yearning for the unreachable, for the infinite. This composition speaks to a deep, subconscious level, engaging us in the eternal dance between order and chaos, structure and fluidity— a reflection of the human condition itself. It is a poignant exploration of how forms evolve, carrying echoes of the past into the present.