Een boerengezin op weg naar de markt by Martin Schongauer

Een boerengezin op weg naar de markt c. 1470 - 1491

0:00
0:00

print, engraving

# 

medieval

# 

print

# 

pen sketch

# 

landscape

# 

figuration

# 

genre-painting

# 

northern-renaissance

# 

engraving

Dimensions: height 162 mm, width 164 mm

Copyright: Rijks Museum: Open Domain

Editor: This engraving, "A Peasant Family Going to Market," by Martin Schongauer, created around 1470 to 1491, depicts a family on a journey. I’m really struck by how much detail Schongauer manages to include. What strikes you about this print? Curator: What grabs me is how the material reality shapes the story. Look closely: this isn't some heroic oil painting; it's an engraving, a print. That already democratizes art, making it more accessible beyond the elite. The lines, the way he renders texture with this *mechanical* process… It forces us to consider the labor involved. Editor: Labor, really? It just looks like a simple scene. Curator: Exactly! But think about what it meant to produce this image. The meticulous engraving process itself. And then think about *who* would have bought and used this print. Was it the family depicted, or a wealthier patron observing them? Whose consumption does this art satisfy and reflect? It's a manufactured object consumed and circulated. Editor: I see your point. So, you're saying the meaning comes not just from the image, but from its creation and distribution? Curator: Absolutely. Schongauer used a copperplate. The tooling to prepare the metal plate to be engraved would involve specialists in metallurgy and other craftsmen whose manual skill allowed Schongauer to even produce the picture. Then we must account for the social status of engraving; was it simply a 'lesser' art because it involved dirty, base metal rather than the fine colors of oil paint? Editor: Wow, that really changes how I see it. I hadn't considered the material aspects at all! Curator: Right. Now you're starting to see the journey isn't just about the family, it's about the journey of materials and ideas too. We see the intersection of craft, commerce, and class in every line. Editor: This makes me want to examine art with a much deeper look, seeing beyond the surface image. Curator: Exactly! Art is rarely divorced from its material and social conditions, and examining those can illuminate our understanding.

Show more

Comments

No comments

Be the first to comment and join the conversation on the ultimate creative platform.