Boerderij met rieten kap aan een pad by Alexander Shilling

Boerderij met rieten kap aan een pad 1907

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drawing, pencil

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drawing

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light pencil work

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ink drawing

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pen sketch

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landscape

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personal sketchbook

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sketchwork

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ink drawing experimentation

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pen-ink sketch

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pencil

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pen work

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sketchbook drawing

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sketchbook art

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realism

Curator: This is a piece by Alexander Shilling titled "Boerderij met rieten kap aan een pad," or "Farmhouse with thatched roof along a path," created in 1907. It's rendered in pencil and ink, capturing a simple, rural scene. What strikes you first about it? Editor: The starkness, definitely. It's almost ghostly, with the stark white of the page dominating. I'm immediately drawn to the high contrast, the way the roof looms, nearly taking up half the sketch. It evokes a feeling of…isolation, perhaps? Curator: I agree; there's a definite quietude. Shilling's sketchwork feels intimate, like a personal observation jotted down in a fleeting moment. It's intriguing how he uses varying pencil pressure to suggest depth and texture in the thatched roof and foliage. The quick, confident lines give it an immediacy. Editor: Indeed, there’s an interesting tension here, between the artist’s apparent attempt at realism - depicting, almost clinically, a simple scene – and the unsettling presence that comes through as an observer, given that Shilling did most of his artwork in Russia. It prompts a reevaluation, doesn’t it, a questioning of what it truly means to belong. Curator: Precisely. One could easily view the thatch roof in relation to material security versus poverty—even in this quick sketch—but what I appreciate most is its deceptive simplicity. A farmhouse, yes, but also an exercise in light and shadow, in capturing the essence of a place rather than its precise details. Editor: It speaks to the power of art as social commentary, subtly woven into the fabric of seemingly ordinary scenes. These themes of dispossession and displacement continue to resonate in so many parts of the world even today. And, while this piece certainly merits discussion as it pertains to Russian identity and post-socialism, I am unsure about this artwork itself acting as that particular piece. Curator: And perhaps that’s what makes it so compelling, its quiet refusal to be pigeonholed. A moment captured, a question posed, a feeling evoked. Editor: A humble artwork as an enduring catalyst for conversation, how wonderful.

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