Scent bottle by Chelsea Porcelain Manufactory

ceramic, porcelain, sculpture

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ceramic

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porcelain

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figuration

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fruit

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sculpture

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decorative-art

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rococo

Dimensions: Height: 2 3/4 in. (7 cm)

Copyright: Public Domain

Editor: Here we have a scent bottle from the Chelsea Porcelain Manufactory, dating back to between 1753 and 1758. It's a small, beautifully crafted piece of porcelain, shaped like a piece of fruit—maybe a plum? It gives me this playful, almost whimsical feeling. What strikes you most about it? Curator: It does look quite edible, doesn’t it? Like a sugared plum ready to be plucked from a fairytale garden! Beyond its obvious charm, this little object whispers volumes about the Rococo era. See how the emphasis is on ornamentation, nature, and playful asymmetry? The very idea of shaping a scent bottle as fruit, crowning it with a delicate porcelain flower… it’s pure, delightful excess. Can you imagine who might have owned and cherished something like this? Editor: Someone wealthy, definitely! With a taste for luxury and the latest trends. But what's the story behind Chelsea porcelain itself? Curator: Ah, Chelsea porcelain. A quintessentially British story of ambition, innovation, and a touch of continental flair! Founded in the mid-18th century, the manufactory quickly became renowned for its exquisite quality and artistry. They were heavily influenced by Meissen porcelain from Germany and, indeed, by the court of France. Owning Chelsea porcelain was a statement, a demonstration of refined taste. Do you think the choice of a scent bottle, specifically, has any significance? Editor: Hmm, maybe scents were more important then? Like a personal statement before perfumes were mass-produced. A subtle luxury. Curator: Exactly! Scent wasn’t just about smelling nice. It was tied to notions of health, status, even power. Our plum becomes a vessel for aspiration, doesn't it? It is no more a simple fruity shape and becomes full of intrigue! Editor: It’s incredible how much history and culture can be packed into something so small and beautiful. Thanks; I see this objet d'art in an entirely different light. Curator: And now when *I* see it, I imagine the owner delicately opening the fruit and letting just the smallest bit of fragrance waft into the air, like opening a small piece of their dreams into the world. It is an intimate encounter.

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