Vijfde verjaardag van prinses Carolina by Martin Holtzhey

Vijfde verjaardag van prinses Carolina 1748

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metal, sculpture

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portrait

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baroque

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dutch-golden-age

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metal

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sculpture

Dimensions diameter 2.1 cm, weight 2.54 gr

Curator: Before us, we have a commemorative medal created in 1748 by Martin Holtzhey titled, "Fifth Anniversary of Princess Carolina." Editor: Its sheen is immediately striking. The reflective gold surface makes it feel both precious and weighty. I notice how the details seem delicately etched. Curator: Holtzhey produced this metal sculpture to mark Princess Carolina of Orange-Nassau’s fifth birthday. What appears on the obverse and reverse offers a potent glimpse into the gendered expectations of Dutch aristocratic life during that era. Editor: Interesting! So the double portrait—three female figures shown conjoined—is then deliberately placed, suggesting a trinity of ideal femininity? Notice how the repeated profile accentuates their features uniformly? Curator: Precisely! It signifies the virtues associated with royal womanhood: piety, maternity, and, of course, lineage. The reverse side depicts Carolina herself, encircled by symbolic garlands, meant to convey themes of nascent nobility and grace within the construct of monarchical power structures. The piece becomes much more than mere ornamentation. It encapsulates entire narratives surrounding privilege. Editor: Structurally, the medal's circular format directs the eye around the central portraits, reinforcing a sense of unity and perpetual power. Even the lettering, finely rendered, seems intrinsic to the overall design. What visual balance. Curator: Agreed. The artistic and social intersect right here in the crafting of the coin. Each carefully-rendered detail reveals something about the expectations and assumptions embedded in depictions of gender roles within this influential European court. It speaks to broader conversations on women in positions of authority at the time. Editor: Thinking about it in formalist terms and from a purely visual standpoint, there's still something satisfying in seeing how a portrait manages to create such presence on something so petite. Curator: True, even on its own, irrespective of our theories about politics, history, or cultural power dynamics at large, it can invite viewers into its complex microcosm and to think a little more about the historical era. Editor: An exercise in concentrated artistry.

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