Box with Cards for the Poem Card Game by Ryūryūkyo Shinsai

Box with Cards for the Poem Card Game 1750 - 1835

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print, woodblock-print

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water colours

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print

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asian-art

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ukiyo-e

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woodblock-print

Dimensions 5 3/4 x 7 1/2 in. (14.6 x 19.1 cm)

Curator: Here we have a woodblock print from Japan, dating roughly between 1750 and 1835. It's titled "Box with Cards for the Poem Card Game," created by Ryūryūkyo Shinsai. The artwork is part of the collection at the Metropolitan Museum of Art. Editor: It’s a lovely, muted palette, isn't it? Soft pinks and grays... almost a pastel feeling despite the geometric lines of the boxes themselves. It's surprisingly tranquil. Curator: Indeed. The tranquil mood belies a lively intellectual and social history. Poem card games, especially among literary societies and court circles in the Edo period, were culturally very significant. They demanded knowledge, wit, and refined aesthetics. This box served not only to store the cards, but to protect and to project an aura of taste. Editor: I'm struck by the precision. Look at the detail of the patterned insert of one of the boxes and even the subtle gradation of color on the front box, almost like light catching a surface. It adds a tactile quality to what is, after all, a two-dimensional print. Curator: The very act of creating these woodblock prints involved skilled artisans and publishers as well as the artist. These prints became accessible, which enabled a broader engagement with high culture. They moved beyond aristocratic patronage into merchant class households and smaller groups which cultivated shared poetic appreciation. Editor: I noticed the ribbons at the base, what do they symbolize in relationship to the box and the artwork? They almost ground it by offsetting the straight hard lines. Curator: Yes, there are always aesthetic choices influencing representation. The boxes themselves function not just as containers, but they become potent status objects, symbolic of refinement, creativity, and social connection within their particular communities. These types of visual symbols allow social discourse to happen more publicly. Editor: So much cultural richness packed into such understated lines and tones! It has given me so much insight into the period from looking at it, how wonderful! Curator: The power of objects! Viewing a seemingly simple object like this opens a fascinating lens through which to see society and the power of cultural activities.

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