Saint Gregory c. 17th century

Curator: This is Jacques Callot’s “Saint Gregory.” The stark lines and the saint’s gesture against the devils evoke a sense of conflict. What strikes you most about this miniature drama? Editor: The demons are definitely eye-catching. They seem to be flying away from the Saint and his halo. Is this work about power? Curator: Precisely. It’s about power, but also the symbolic struggle of the Church against perceived evil. Consider the historical context: Counter-Reformation anxieties, the demonization of differing beliefs... how might that inform our understanding? Editor: So, the demons could represent any group deemed ‘other’ by the Church at that time? Curator: Exactly. Callot's work isn't just religious art; it's a socio-political statement reflecting the era’s deep-seated fears and prejudices. Editor: It’s fascinating how a small print can reveal so much about the power dynamics of the period. Curator: Indeed. Art is a mirror reflecting society's values and anxieties.