Portret van Jacob Pignatelli c. 1675 - 1700

Johannes Collin created this portrait of Jacob Pignatelli sometime in the 17th century. The dark etching is dominated by the oval frame around the central figure, which is flanked by two cherubic figures. The elaborate ornamentation gives the artwork a sense of formal grandeur, appropriate for the depiction of a prominent individual. The structure of the artwork is defined by contrasting textures and patterns. The smooth, shaded face of Pignatelli is set against the intricate detailing of his robes and the surrounding decorative elements. Collin uses a semiotic system to communicate Pignatelli's status. The cherubs are symbols of innocence and divine favor, framing Pignatelli as a figure of virtue and importance. Consider how the formal qualities of the artwork—the balance between the figure and ornamentation, the use of light and shadow to create depth—contribute to its overall impact. The artwork functions as a cultural artifact, reflecting the values and concerns of its time, and inviting ongoing interpretation.