Bekleding van arrenslee c. 1800 - 1850

Editor: Here we have what's called “Bekleding van arrenslee,” or "Sleigh Upholstery," made sometime between 1800 and 1850 by an anonymous artist. It’s weaving using textile, currently housed in the Rijksmuseum. I’m immediately struck by its richness. The velvety texture and elaborate patterns just scream luxury and warmth. What kind of story do you think this piece tells, if any? Curator: Oh, it's a cozy visual poem, isn't it? It whispers tales of snowy landscapes, perhaps a muffled jingling of bells, a world of leisurely winter travel. To me, it feels like stepping into a bygone era when journeys weren't about speed but about experiencing the beauty around you, wrapped in layers of opulent comfort. Look at the patterns; they aren’t just decorative but evoke images of winter flora rendered in the warmest hues. Doesn't it remind you of curling up with a good book by a crackling fire, perhaps with a cup of something mulled? Do you get that same feeling? Editor: Definitely, there's a definite sense of warmth despite the cold context. And I hadn't thought about the winter flora! It's interesting how the practical item turns into a representation of leisure and beauty, don’t you think? Curator: Absolutely! Everyday items become portals. When you stop to think about the anonymous artisan behind it, meticulously weaving this tapestry of comfort and style. This anonymous hand imbued a purely practical thing with artistic passion, creating a lasting legacy in texture and tone. Perhaps even with a hint of a smirk or knowing smile! Editor: That gives me a new perspective on this object. Seeing it not just as upholstery, but as a kind of cultural artifact imbued with someone’s character and values. It has made me curious to think more about what textiles have been trying to express. Curator: Wonderful! It's all about perspective, you see? To know the full value, we are fortunate indeed to have the thing in front of our very eyes.