The Martyrdom of Saint Catherine by Anonymous

The Martyrdom of Saint Catherine 1500 - 1550

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drawing, print, paper, ink, pen

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drawing

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narrative-art

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ink painting

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print

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figuration

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paper

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ink

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coloured pencil

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pen-ink sketch

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pen

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history-painting

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italian-renaissance

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watercolor

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angel

Dimensions: Sheet: 2 11/16 × 2 1/16 in. (6.8 × 5.2 cm)

Copyright: Public Domain

Curator: What a powerfully stark image. It has a somber mood that permeates the entire scene. Editor: Indeed. We're looking at "The Martyrdom of Saint Catherine," an intriguing piece made sometime between 1500 and 1550. Its creator remains unknown. Currently, this pen and ink drawing on paper is housed at the Metropolitan Museum of Art. Curator: Pen and ink...the very hand that rendered such graphic violence. I am particularly struck by the costuming. Note the detail afforded to the would-be executioner's garments, and consider how those textiles would have been sourced, woven, dyed...what societal systems permitted the generation of these signifiers of wealth and power that culminate in this gruesome act. Editor: Good eye. Contextually, Saint Catherine was a popular subject during the Renaissance, embodying faith, intellect, and defiance against tyranny. The Church really played a vital role in promoting those narratives, commissioning artwork to both educate and inspire its followers. But this piece certainly turns up the volume on violence! Curator: The layering of the drawing seems purposeful to achieve the almost ethereal halo over Saint Catherine as an angel waits. Looking closer, I am increasingly disturbed. Editor: And to delve deeper, artworks like these played a crucial role in shaping public perceptions of religious narratives, saints' lives, the implications of civic governance, and divine will. Patronage shaped artistic output to such an extent. The way they presented those things mattered enormously. Curator: Agreed. I had initially wanted to focus on the craft—the means of production for art such as this, the value attached to artistic skill within workshops—but I am stuck at how works of art so deftly negotiate religious doctrine and prevailing social orders. I remain conflicted. Editor: It is grim subject matter but this artwork and its purpose tells us so much about society. I see why you struggle—it *is* an awful depiction but, in the end, rather intriguing to dissect.

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