Charles Maurin by Henri de Toulouse-Lautrec

Charles Maurin 1898

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Copyright: National Gallery of Art: CC0 1.0

Curator: Let's turn our attention to this print by Henri de Toulouse-Lautrec from 1898, titled "Charles Maurin". It’s an etching; an example of how Lautrec worked with printmaking as an integral part of his artistic output, often blurring the lines between the fine arts and the graphic arts so tied to commerce. Editor: Hmm, stark and quite sad, wouldn’t you say? Almost ghostly, like a memory fading. Curator: It's interesting you say that. Considering Lautrec's focus, it does feel like a meditation on mortality, rendered through the graphic medium. Look at the etched lines; how they convey the subject’s character but also reflect the industrialized process. Each line a conscious decision in an environment dominated by the needs for reproducibility and commerce. Editor: Yes, the line work gives it a sense of fragility, like charcoal dust waiting to be blown away. Yet there is such an honesty about the fellow. He looks rather careworn; but there’s dignity in it. Was he another artist, do you know? One wonders what stories those eyes could tell… Curator: Maurin, as in Charles Maurin, was indeed another artist, and his artistic roots were among anarchists, bohemian counterculture types, and other political agitators. What I appreciate is Lautrec acknowledging those sorts of people in his social and political environment. This wasn't a commission. Instead, it emphasizes Lautrec’s circle and, equally, the world of commodified art prints. Editor: It feels like more than just documentation though. It's the quick sketch aesthetic coupled with a sympathetic eye. And what is fascinating is, how the etching gives this ephemeral feel—almost melancholic air to the piece, no? Despite being reproducible it contains something deeply unique, singular. Almost defiant… Curator: Well put, and something Lautrec embraced throughout his oeuvre; straddling artistic talent within industrialized output. This fusion gives him relevance still today! Editor: Exactly! Now, I feel rather wiser, after taking this deeper look into an artful, soulful man through an amazing fusion of skills and production...

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