Dimensions: image: 198 x 152 mm
Copyright: CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: Here we have William Blake's intaglio print, "Job Rebuked by his Friends," one from his series illustrating the Book of Job. It's currently housed in the Tate Collections. Editor: The immediate impression is one of intense suffering, rendered in stark monochrome. You can almost feel the weight of their collective judgment. Curator: Absolutely. Notice the linear precision achieved through engraving. Blake painstakingly etched the metal plate to create these dense, interwoven lines. Look at Job himself, the musculature under duress... Editor: And the texture created by the etching underscores the torment. I am curious about the commercial aspect of these prints, how the reproductive process allowed Blake to disseminate his vision to a wider audience. Curator: It is rather haunting, isn't it? A visceral reminder of human frailty and the testing of faith. Editor: Indeed. It compels us to consider the labor involved in bringing these images to life, the very material conditions shaping our spiritual engagement.
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http://www.tate.org.uk/art/artworks/blake-job-rebuked-by-his-friends-a00021
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This is an illustration to chapter 12, verse 4 of the Book of Job: 'I am as one mocked of his neighbour, who calleth upon God, and he answereth him: the Just upright man is laughed to scorn.' Job endures the mocking of his friends and the rebuke of his wife. Their attitude towards him reflects their impatience with Job's protestations of his innocence, despite the fact that God's punishment of him is an indication of his transgression. The other inscriptions in the margins are statements Job made to his God and which are found elsewhere in the Book of Job. Gallery label, August 1993