The Virgin and St John the Evangelist c. 1670

Mattheus van Beveren carved this image of Saint John the Evangelist from ivory. The figure’s open palm, reaching upwards, is an ancient symbol, resonating with gestures of supplication, benediction, and witnessing across cultures. We see it echoed in ancient Egyptian art, where figures raise their hands in reverence to the gods. This gesture evolves through the ages; we see it again during the classical period where the orators raise their hands to persuade their listeners, and in early Christian art, signifying divine intervention or testimony. Consider how this simple act transforms: in some contexts, it’s a plea, a silent scream against the heavens, while in others, it’s a symbol of power. This gesture’s capacity to engage viewers on a primal level makes it a compelling force. It stirs something deep within us; a memory of shared human experience. The Evangelist is experiencing extreme emotion as he witnesses Christ's death. The hand raised towards heaven is a visual echo of a primal human need to connect with the divine. This resurfaces, evolves, and takes on new meanings in each context, and will continue its journey.