Illustration LVI: the 7th figure: the opening of the 7th Seal: the first 4 angels sound their trumpets, hail and fire upon the earth, a great mountain burning with fire is cast into the sea, the 3rd part of the sea becomes blood, the 3rd part of ships are destroyed, the 3rd part of the sun and of the moon are smitten, etc. (Revelation 8) by Anonymous

Illustration LVI: the 7th figure: the opening of the 7th Seal: the first 4 angels sound their trumpets, hail and fire upon the earth, a great mountain burning with fire is cast into the sea, the 3rd part of the sea becomes blood, the 3rd part of ships are destroyed, the 3rd part of the sun and of the moon are smitten, etc. (Revelation 8) c. 16th century

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Copyright: CC0 1.0

Curator: This compelling image, housed at the Harvard Art Museums, is titled "Illustration LVI: the 7th figure: the opening of the 7th Seal..." and it depicts the apocalyptic vision of Revelation 8. Editor: My initial impression is one of chaos, visually represented through the density of line work and the almost claustrophobic composition. Curator: Precisely. The artist, though anonymous, masterfully employs line to convey the scripture's tumultuous events: angels sounding trumpets, hail and fire raining down, a burning mountain cast into the sea. Editor: I'm particularly struck by the stark contrast between the divine figures above and the destruction wreaked upon the earthly realm below. It speaks volumes about the perceived power dynamics of the era. Curator: Indeed, the image serves as a potent visual sermon, reflecting the anxieties and beliefs of its time regarding divine judgment and societal upheaval. Editor: It makes you wonder about the intended audience and the specific socio-political context in which this work was produced. Curator: A vital question. Ultimately, this piece underscores the enduring power of art to translate complex narratives and mirror humanity’s deepest fears and hopes. Editor: A testament to the Book of Revelation’s hold on the popular imagination through the ages.

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