Onderboezem met variant voor rechterhelft by Jean Lepautre

Onderboezem met variant voor rechterhelft c. 1710

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drawing, metal, engraving

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drawing

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baroque

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metal

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geometric

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engraving

Dimensions height 193 mm, width 140 mm

Curator: I am immediately drawn to the cool precision, the rational breakdown here... it almost anticipates a design blueprint more than a decorative panel. The Rijksmuseum holds this stunning drawing and engraving by Jean Lepautre, dating back to around 1710, titled "Onderboezem met variant voor rechterhelft," or "Mantelpiece with variation for the right half." Editor: A split personality for a fireplace, eh? That vertical division hitting you first, too? It feels less harmonious Baroque elegance and more… cubist deconstruction of symmetry, but centuries early! Even the sphinx seems bewildered by her divided domain. Curator: Exactly! Lepautre, famed for his Baroque ornament prints, seemingly dissects conventional decorative concepts. Look closer; the "variant" showcases slightly different flourishes, a playful contrast. This wasn't about slavish imitation; it explored inventive adaptation. It also reflects the rise of print culture—this image being distributed widely as inspiration to craftsman. Editor: And what powerful inspiration! Imagine poring over this blueprint, envisioning the weight of that ornamented stone coming to life under your chisel. The manes of that stoic sphinx, practically begging to be run through my fingers... But there’s something wonderfully cold about this rendering too - that fine engraving rendering metal so precise. It distances you. Curator: A useful distance, I think. The division highlights choice—between the lush foliage on one side, the geometric rigidity of the other. Lepautre's political awareness might also be sneaking in too. Court style always shifted. Being up to date made sure your commissions didn't vanish. This image promises flexibility to keep up. Editor: It becomes an exercise in judgment - it reminds me how much choice actually matters in creation and construction of artwork and objects! Do I favor natural forms or sleek restraint? I could get stuck in that sphinx's wise, stone gaze for hours pondering the questions of good style. Curator: Perhaps, it’s an enduring puzzle. Lepautre offers the elements. We arrange them.

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